The Role of Humanism in the Poems of E.E. Cummings

Poetry can be said to be very similar to a poet. Because poetry has two aspects, what it looks like and what is unearthed and understandable only by studying its potential effect. Therefore, it is not unusual to first study non-fiction sources and understand the motivation and purpose behind each selected word in order to gain a complete and comprehensive view of the poem. Since the work of the famous modernist poet cumming during the era of World War I was severely affected by hatred and atrocities of war, the anger towards humans during this period has grown and reflected.

E. E. Cummings (1894 - 1962) poetry is extra and accurate, so that he can aspirate to experimental avant-garde poetry readers. The name of the poet is usually written in lowercase letters he likes in poetry. Eliot or Ezra Pound, E.E. Cummings' poetry focuses on traditional themes such as love, childhood, and nature. Poetry Cummings is made as the poet of the greatest love of the 21st century, "I have never traveled somewhere, I have exceeded gladly." Through bold trials of language and grammar, his poetry is innovative and universal, known for its simplicity and depth.

Abstract This paper analyzes the stylistic analysis of two famous poets of British literary poets, E. E. Cummings and Irish nobility winner Seamus Heaney. The researcher 's attempt here is to see Cummings' poetry "Maji and Milly, Molly and May" and Haney' s "Kite Eye Binn" from a stylistic point of view. Also in this article I analyze poetry using language tools and clarify it. It is worth noting that Stylistics as a scientific field is beneficial to those who teach and learn English and literature. Whether English is your mother tongue, second language, foreign languages. Not only foreign students but also English speakers benefit from Stylistics. They can master linguistics in terms of literary ability. Today, Stylistics and its linguistic tools and methods help to understand literary texts logically and scientifically based on linguistic evidence.

Edward Esthering (E.E.) Cummings experimented in poetic form and language as one of the most innovative poets of the era and created a unique personal style. Typical Cummings poetry is redundant and accurate, using some keywords that are placed biased on the page. Some of these words were devised by Cummings and usually join two common words into new inclusive words. He also modified grammar and language rules to suit his purpose, such as using words such as if, am, and because because of nouns or assigning their private meaning to words. Despite their non-customary form, Cummings' poetry began to gain popularity for many readers. "Nobody anyone", Randall Jarrel said in the "Third Critique", "Avant-garde experimental poetry was once attractive to both ordinary and special readers." He died in 1962. At that time, Cummings has maintained a prominent position. Status in the poetry of the 20th century