The Role of Horror in the Gothic Writing

British literature in the romantic era can be described as a feeling of a free and natural writer emphasizing the author's reaction to the world. Romantic writers emphasize that emotions affect mind and heart more than the body - they emotionally participate in the outside world and imagine reflecting the potential power of spirit and idealism through imagination I admire the human heart so that. In Gothic writing, as an important type of romantic literature, the author presents horrible myths and supernaturalities, cultivates their sensitivity and evokes fear and anxiety of readers by exploring human thoughts I will try.

"Gothic" lighting style was born in England, a horror master, produced by Edgar Allan Poe. Most of his story shows fear and insanity. His story is emphasized as a "Gothic" writing style for dark writing style, mood and tone. For that reason, the stories such as "The Landlady" and "Tell-Tale Heart" not only represent these obscure plots but also emotions and moods become very dull when the event occurs, and it becomes intense. Because it has a high suspense, everyone loves to experience emotional fear moments. Especially at these moments there are many sarcastic situations that add more vigor, so the story of Edgar Allan Poe is known for the emotional experience of fear. For example, "I was usually very cautious when opening the door on the evening of the eighth day, the movement of the minute hand of the wrist watch is faster than mine.

When Edgar Allan Poe moved to Philadelphia, he discovered the Gothic tradition established by the city. He began writing horror works in a more European Gothic style. In Philadelphia, his horror story has undergone transformation reflecting the Gothic style of Brockden Brown (or America and Philadelphia) (more specifically, this is the story of "Love William" "William Wilson") . Now I am claiming this tradition of Philadelphia Gothic style as if it is an established part of literary history. But that is not the case. Only a few scholars admit this. One of the reasons I talk and write is spreading the word so that other writers, readers, or academics can be urged to do more research. I'd like to write a book about it. There are lots of materials.