The Rise of the Creative Class

In the information economy, creative content is the country's most important natural resource. "The creation of wealth in the ideological economy depends on the ability of the country to continually create content and a widely dispersed expression of a new form.In addition to gadgets and hardware, creative human capital We need to invest in "(Venturelli 14). In the 21st century, we can think that artists will soon be able to make a living. Industrial Age - Information Age In all philosophical changes, the vast majority of the 20th century applied the idea of ​​the industrial era to the increasingly obvious information era.

City planners also face similar considerations. In 2002, Richard Florida, a professor at the University of Toronto launched The Rise of the Creative Class. Creative classes consist of writers, designers, financiers, scholars, artists, musicians, skilled workers, and entrepreneurs gathering in the city to transform them into "innovative greenhouses". The proliferation of growth maintained by the State of Flora not only benefits one-third of the population deserving creative (ie, dependent on the brain), but also the remaining blue-collar workers and service workers Bring profits to you.

Richard Florida is a scholar, author and leader of all urban studies. The first "rise of creative classes" announced in 2002 was told by the new creative "knowledge worker" that the resurgence in the city center was revival. His insight pushed most major city reconstruction efforts. Florida's work, recognized as an extensive insight into the prosperity of urban technology and arts in the United States, has recently been questioned because of the unintended consequences of urban renewal, especially the luxury and consequent income disparities. Various people in different cities in the United States