The Return of Martin Guerre

Martin Guerre returned to this story based on the early 1550s when a young farmer Martin Guerre from Artigat left his wife Bertrande and his son Sanxi and inherited their adventure as a mercenary in Spain. About nine years after leaving his family, a man who claimed to be Martin returned to the village to gather land with his wife. Beltrande admits that this man is her husband and they have another child. During his absence, Martin and Pierre are contesting the management of family property and the ownership of Martins.

Martin gray began to record a strange trial in the 16th century. Farmer, Martin Gale abandoned his wife and family and disappeared. A few years later, a man who claimed to be Martin gray came back and regained Martin's life. Later he was accused of being a fraudster. In the process of winning the trial, the real Martin Guerre appeared. This review analyzes 16th century volumes of masculinity, gender, and marriage. The resurrection of Martin Gray is a story that has attracted people for nearly 500 years. This is the subject of the major judge's books, even Montaigne's comments. It has been summarized for centuries. In the 1970s, as a return of Martin Gray (authors of this article worked on the script) was filmed in France (in a half-fictional version). In the background of the transition to the American Civil War, it was recently named Summersby and photographed by Jodie Foster

Martin Guerre of Natalie Zemon Davis succeeded in using the micro-historical approach to thoroughly examine the story of this amazing marriage fraud. The micro history of Davis is based mainly on two stories of the trial. They became widespread after the end - one was judge Jean de Coras and the other was led by legal scholar Guillaume Le Sueur. In addition, Zemon Davis rebuilt Martin, Arnaud, and most important Bertrande's wishes and agents, using courts and financial records. But it is not only that Davis's statement reveals the character of these characters, but also that the experiences of the three villagers "prove that it is not outside the neighbor's more general experience" . Multistage, cheaters' production is related to a more general way to create personal identification information "(Zemon Davis, VII)