The Relationship Between Humor and Culture: Emma Jameson

Like many other brilliant pleasures, humor can only be experienced when it resonates with people. Without understanding, there is no reaction. Only if eccentric remarks, inappropriate comments, or unexpected situations are understood remotely, one can mark it as funny or awakening. Since billions of people around the world have their own languages, including their own idioms, euphemisms, the ancient way of saying "all joke has the truth" is to each culture individually That applies.

"Culture" itself is not an essential concept, but a change in voice. In Frederick Jameson's words, "culture itself is not" material "or phenomenon. It is objective anger arising from the relationship between at least two groups ... There is no group that itself has culture. Culture is a group of auras that are affected when you touch other groups and observe them. In a globalized economy, "culture" is regarded as a matter of choice just like inheritance, therefore it is regarded as a type of identity that is less subject to pressure than color or race and thus "politicized". Or sex. (See Bennette, 1993: 3-4)

If Jameson relies on a one-to-one relationship between economics and aesthetics, Harvey (1990) triangulates this relationship and finds the third term which is our perception of time and space I'd like to introduce_______ "Post-Modernism Compression - postfoddism regime with flexible accumulation of postmodernism" between postmodernism and post-capitalism. A representative crisis based on post-modern culture is not unprecedented in art history. Two periods It also witnessed a similar crisis: first, the revolution around 1848 - the emergence of modernism - secondly, at the turn of the 20th century - it features the emphasis of multiple perspectives It brought "confrontation" of modernism. Studies on new myths "(Harvey 1990: 28 - 31).

Frederick Jameson Frederick Jameson is probably the most influential theorist of postmodern through the 1984 paper and the synonymous series in 1991. Jameson is also a critic of science fiction and has been a consultant for science fiction research for many years. At least once, he tried the theory of SF novel before making more normative text - for example, his semiotic reading of Dick's Bloody Dr. (1965) the first of 7 post modern book versions In the commentary. James wrote as follows. "This is not postmodern but it is for many of us, even the best literary expression of the final literary expression and the literary expression of late capitalism itself is not related to this book. Puncture chapters are disappointing. If postmodernism is the cultural logic of late capitalism, this is a big omission; and this will center Cyber ​​punk to understanding this period. He established the era at some point in the late 1950s or the early 1960s.