The Rebellion Against Victorianism

The rebellion against the Victorian era had revolutionized British society in the 1890s. After Queen Victoria's death, the Victorian culture center seems to disappear. The UK began experiencing economic competition with other countries and gradually fell from its previous power peak. Politically, Congress experienced some fundamental power transfer at the turn of the century. In this article I will explore the changing atmosphere and the symptoms of British culture.

The Victorian era was brought to the revolt of a romantic era. Victorian times were a reaction to a romantic era, as historical influences, scientific influences, crisis of beliefs and desires for women's transformation differ. The history of the romantic era began in 1798 and ended in 1832, 35 years later. Each period has an identifiable identity and the age of romantic era is an era of intelligence escape.

Modernism not only opposed the repressive principles of the Victorian era, but also opposed the emergence of a rapidly changing materialistic corporate society. The era before modernism was maintaining the Victorian era virtue and it accepted all ordered, neat, stable, meaningful world views. Basically it is optimistic, but the Victorian culture has a very narrow and tough view and therefore has supercritical moralism. Modernism avoids this absolute and clear world understanding. This movement was the result of the "intriguing generation" of Gertrude Stein, whose intellectual victims of the devastating war and its absolute trust loss have pursued a new morality, the first world It was caused by the great war. Ideal. Disillusionment of society, pessimism and indifference, people's consensus colored the work of these artists, literary leader T.S. Elliott, James Joyce, Virginia Woolf, Ezra Pound and Gertrude Stan.

Prior to the late 1980s, three generations of scholars considered artistic modernism as the frontiers of cultural rebellion. This is against the rise of heroic individuals in Europe and America, to the standardization of the popularism and the masses of the Victorian society, and the industrial society. Crunden) 2000). Almost all scholars and artists are still fascinated by modernism self-liberation, voluntary creation, and cultural rebellion and are creating scholarships that are included under a variety of legitimate modernism. It is only by the emergence of postmodern that we can criticize modernism (Ross 1986; Harvey 1989; Jameson 1991)