My interest in architecture arises from my love of high school which graduated from zhou province. It is the ancient capital of the Song dynasty, and in China it is a beautiful but backwards town. All my memories of my high school days are related to the beauty of this ancient city. I remember a beautiful sunset, a beautiful river view, and every sports show. We can walk along the wall and enjoy the taste of each ancient road. Such an extracurricular life is very simple, but I am very satisfied with studying in such a historical area of glory.
However, these things changed dramatically after graduation. New politicians aiming for political achievement advocate the transformation of the city of modern architecture. As a result, many historic buildings were replaced by new bricks, the area was devastated. The fusion of ancient culture and the atmosphere of modern business changed the original hobby of the city. According to my understanding, human beings are increasingly proud and architecture is a direct expression of history, so history is one of the few that can be kept discreet. However, when I saw that the dust of the modern building struck the modern wheel, I felt very painful.
When I stood in the mountains at night and overlooked the city of Chenzhou, I felt the trembling light lead me. The reality of my city urged me to become an architect devoted to protecting ancient architecture. I hope to fulfill my role to prevent damage to ancient buildings so that I can maintain the outstanding performance of my ancestors for the younger generation.
This place has to talk about personal. This is the reason I chose the Arab Regional Institute. Not only historical stories, but background of the story. Also, the relationship between that architecture and my personal history. So what do you collect in this environment? Obviously, it should be very light. Therefore, I began to map this phenomenon to the front of the famous Arab regional institute designed by Jean Nouvel. Our goal is to determine the light model entering the facade as accurately as possible. Besides its shape, it itself is light. In order to deal with the most obscure things, we know certain objects. The phenomena we are using in art, design and architecture has become the subject and purpose of my story. With this phenomenon, we can physically express things around us from afar from far away and map the characteristics of this light to it.
After I attended college, I chose to study architecture; I think that this is the right occupation as a technical and artistic major. I only imagine designing a beautiful building from the beginning of my study. Over time, I began to see potential links between music and design. Architecture, when designed in a responsible and responsive way, is meticulously combined and expresses exciting music. Just as music is treated as a spectator, it can be treated as an end user. Based on this I believe that architecture will heal our wounds and provide what we are seeking by many young people in our area, that is, my last paper project "music architecture" I will.
KC: I visited Delft 's building and civil engineering school. Finally, I chose the architecture that all the students had long hair, wearing Jesus sandals and entering the building from the sand. When I was 18 years old, I was fascinated, so I began to build it. At the end of my research, Rem Koolhaas became a visiting professor and I became one of his students. At that time, I was preparing a diploma, and I began to help him establish a new office in Rotterdam. My idea is to stay there for 3 months in order to be a stage and then to complete my diploma. However, this three months has reached eight years, after which the university asked me to apply for a diploma.