Real inspector hound dog contrast set, genuine inspector The ideal human Democrat to slaughter a hound dog. Almost all characters have opposite things, otherwise it is completely unique. Cynthia is opposite to Felicity, Simon is the contrast of Magnus. Because Tom Stoppard includes these contrasts in various reasons and effects, it creates a very disturbing effect of the drama. However, his character creates personal effects by facing each other exactly.
Tom Stoppard's play "The Real Inspector Hound" is an example of an absurd drama in which society is drawn by absurd plots and dialogue. In an irrational world, the practice of a comfortable school style criminal novel is respected. The plan emphasized Agatha Christie's novel, especially the sending of a novel "rat catch". The idea of the drama in the play is used to make the society depicted in the story irrational. The crime was killing in the living room of Muldoon Manor, an area isolated from the outside world. As a killer, a man suspected of having an outsider Simon unexpectedly arrived died in the floor, died in all the characters in the play, wealthy and rich upper class. Then Simon was shot, the Hunter Hound and other people tried to find out who the murderer was, and each character had a clear motivation to kill Simon. That is exactly when the two worlds intersect, we see the drama's uselessness and the lack of sense it brings.
In the conversation of "The Real Inspector Hound", Stoppard skillfully imitated basic criminal novel expressions. When Mrs. Dorado commented that "Is isolated from the world," when he commented that Simon was "a dangerous wetland around this strangely inaccessible house," it appeared in the early days of the drama. The next few lines of Mrs Draghi reveal the complex and constantly changing history of the Mardon family at the expense of realistic dialogue. Stapard's character dialogue in "The Real Inspector Hound" is a more subtle oral expansion of clues in traditional literature. He exaggerated this to some extent. And that made the scene of the audience who understood the way he distorted the traditional dialogue was very humorous. Character's speech is also a channel for other aspects of stoppard imitation. As in the mystery of most painting rooms, the play uses traditional words to convey the feelings of British society of the upper class.
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