The Reader Matters

How many times did you leave a half read article? If you are like me, it may be many times. When there is no context, it is the same as listening to others speaking a foreign language. As a reader, we may be inappropriate and even unpopular. So, why we get tired of some writers and are forced to read other writers. In her article "Writing for the audience," English professor Carnegie Mellon's English professor Linda Flower emphasizes how to make readers aware of effective writing. She said that convincing writers will analyze their audience and point out the fundamental difference between their and their target audience of knowledge, attitudes and necessities.

This usually includes works for viewers between 2 and 16 years old. Lighting for children is a professional art that is harder than it looks. The language must be appropriate for the age of the reader, the subject must be a concern of the target age group, the work must be open enough to attract the attention of the reader. The idea of ​​the story starts with strong individuality and meaningful, targeted behavior. The use of suspense and interaction of interpersonal relationship are two features of effective boy fiction. Because this technique helps to establish and maintain reader awareness, books and stories are almost completely told from a single perspective (first person or third person) ...

The plot is meaningful only when you are interested in the role that the reader is involved in. The plot should be designed to bring your character closer to the emotional point as it leads the reader (probably letters) to the question raised by the topic while providing the experiential experience to the reader. In the first person stories, a narrator (usually a hero) tells stories from his / her point of view and uses this role to narrow down the information to the readers. Some examples of first person narration books are Mark Twain's "Adventures of The Huckleberry Finn" and "The Catcher in the Rye" by JD Salinger.

The viewpoints and opinions of narrator, what he or she talks are inconsistent or inconsistent with the facts of the story or the reader's own reactions to these facts. An untrusted narrator may be wrong (or incomplete) to evaluate the meaning of the story event and exert pressure on the reader to evaluate the meaning. An unreliable narrator may appear in the American tradition of any era, but a well cited example is Huck Finn, an innocent and unintelligible person in the adventure of Huckleberry Finn of M ARK TWAIN. A cryptic tutor tells Henry James' s "spiral turn" - he or she most frequently appears in modernist and post-modernist literature, an active role in determining the "real" meaning of the story I will encourage readers to do. (See Modernism, Post Modern.)

Facts about companions of American short story document, 2nd edition (literary series companion)