Response of modern and contemporary audiences against respect for Hamlet's behavior Hamlet's theater contains the theme of honor, but what does honor mean? The show 's modern audience is honoring your family and your responsibilities for your principles. Modern audiences understand honor as respect, selflessness, faith, self-awareness, and courage. As you can see here, modern understanding of honor is very different from how people understand honor when writing scripts.
Elizabeth 's audience will accept Hamlet' s hesitation, but the modern audience will accept and understand the emotions expressed in Hamlet 's monologue. The passionate first monologue of Hamlet clearly contrasts with the controlled dialogue he must exchange for Claudius and his court. The main function of the monologue is to show Hamlet 's melancholy and despair to the audience with a singular point. Modern audiences will notice that Hamlet is "just a philosophical speculative prince and will not feel like home staying in incestuous political tombs"? So postponed this movement of retaliation against the death of his father.
As a tragedy of revenge, one of the central themes of Hamlet is revenge. It is a concept of honor to be closely related to revenge. The obligation to revenge Hamlet's father is related to his honor as "good child". For example, when talking to a ghost, Hamlet declares, "I speak, I surely hear", and the ghost answers as follows. . Like many Elizabethian writers, he often uses supernatural phenomena in the drama, and Hamlet is no exception. The opening scene occurred at midnight, traditionally the "most moment of magic" and the most likely time for supernatural creatures to appear. The emergence of ghosts sets the tone of the play, evoking a feeling of premonition and fear. The same technology is used for today's horror story and suspense story.
Hamlet departed from the contemporary theater conference in many ways. For example, during the Shakespeare era, dramas were often thought to follow the suggestions in Aristotle's poetry. Drama should focus on behavior rather than characters. In Hamlet, Shakespeare reversed this so that the audience could understand Hamlet's motives and ideas instead of taking action. In addition to a quarter of "bad", play is full of discontinuous and irregular behavior at first glance. Like Gravedigger, Hamlet once seemed to decide to kill Claudius. However, when Claudius appeared in the next scene, he suddenly got ridden. Scholars still discuss whether these twists and rotations are wrong or intentionally added to increase drama turmoil and duality. Hamlet also includes Shakespeare's installation in theater, the drama in theater, literary installation and meditation, which tells stories in the behavior of another story.