The Rauschenberg Art Piece

At the San Francisco Museum of Modern Art, Rauschenberg's artwork is definitely an art form that I never thought of as art. This work is not exactly a painting for me, but it must be an example of something related to everyday things. It was created by artist Robert Rauschenberg in 1954. It is a painting on a canvas with sizes 86 to 16, such as wood, wood, oil, paper, cloth, metal. I see the newspaper, cut fabrics, discoloration, how they scatter, and confused with other materials.

Rauschenberg's first work is a bit of "anti-art" as a form of protest against what is happening in the world, especially what is happening in the art world. The portraits of Rauschenberg's Erased de Kooning Drawing (1953) and Iris Clert (1953) are full of cynicism as a provocative strategy for driving bourgeois culture. But his most famous work appeared several years later: the bed (1955) and the monogram (1955) are what the artist calls "combination" - these works are reinforced by waste in their plane So it blurs the distinction between painting and sculpture and the appropriate picture. In his combine, everyday things (garbage, cartoon, newspaper, woodwork, poster, cloth, picture, mirror) occupy the space of painting. Rauschenberg once said

Kim agreed to sell the printed Rauschenberg prints to Nikolas Bentel, an artist of the "The Erased Rauschenberg" project, which is now the new museum's art & design incubator. This Rauschenberg is sold in advertising space and is covered with bold brand labels and photos, or anything else provided by the purchaser. The last part of "The Erased Rauschenberg" was just completed and was auctioned online. In the current secondary market, rising art prices will benefit collectors rather than artists. The artists do not share anything, usually they will pay the rent of the studio and even try to purchase the necessary artwork. "The Erased Rauschenberg" shows an uncompromising question mark in this historical chapter.

One of the most unique and important artists of the 20th century was Robert Rauschenberg. Rauschenberg's work is very traditional and proves that he is a wonderful artistic innovator. He broke, changed, and rewrote the rules of art. Dancers, activists, artists, composers, engineers, such as excellent experimenters. I believe that everyone contributed. In a wonderful article, the team at Tate Modern wrote Rauschenberg's "rules to break rules". We made improvements based on this article: we rewrite it and link it to the entrepreneurs and business world. The recommendations of Rauschenberg's "breaking the rule" method and its reasons are as follows.