The Psychological Fulfillment in Watching Mel Brook’s Young Frankenstein

Abstract: Mel Brooks' young Frankenstein is used to combat the anxiety and fear caused by earlier horror movies and monster movies. This movie, which was produced in 1974, is only one of the most terrible movies ever. This movie is watching monster movies through a glassic glass. To do this, Brooks uses elements described by Freud's humorous approach and the Harris imitation element.

Mel Brooks' young Frankenstein is a beautiful horror comedy, but still a classic of this type. This is a very interesting movie with good performance and guidance. This movie is one of the most memorable movies in comedy horror movies. Mel Brooks has released a very interesting movie. The movie obviously imitates Frankenstein, and the movie is doing very well in this regard. I love this movie and I think it is one of Mel Brooks' best films. Either way, for me, young Frankenstein seems to be a tribute to Frankenstein through a number of comedy to interpret classical horror stories. The movie works well, works very well and is very focused. This movie is a classic story plus an unforgettable twist and is not a direct horror movie, but one of the best comedy movies. This film is highly appreciated by terror fans and comedy fans. This movie is a wonderfully memorable nearly innocent comedy movie.

Young Frankenstein is Mer Brooks' American comedy horror movie in 1974, starring Jean Wilder, the notorious descendant of Dr. Frankenstein, and Peter Boe. Monster support actors include Terry Gall, Criss Leachmann, Marty Feldman, Madeline Kern, Kenneth Mers, Richard Haydn and Gene Hackman. This script was written by Wilder and Brooks. This movie mimics the classic horror movie type, especially the movies of various films of Mary Sherry's novel Frankenstein produced in the 1930s. Many of the experimental equipment used as props were created by Kenneth Strickfaden for the 1931 movie "Frankenstein". In order to raise the atmosphere of the early movies, Brooks shot in rare, black and white in the 1970s, with opening performance of the 1930s style and scene transitions such as iris output, wiping, fade in black etc. I will. . This film also recorded the period for Brooks' longtime composer John Morris.