The Postmorbid Condition by Vivian Sobchack

Sobchak also pointed out that meaningless violence and meaningless violence are popular not only in movies but also in everyday life. The meaning of violence is completely abandoned and the crowd can only see the comic aspect of the scene, so irony and satire really helps to reduce the audience's sensitivity. For example, in a pulp novel, Jules quotes from the Bible before killing the victims, completely distracting the attention of the audience from the meaning of youth's imminent death, eradicating murder in the scene entitled "Bonnie Situation" The focus is simply not meaningless and meaningless behavior itself.

In August 2013, Fred Sexton's daughter Michele Fortier interviewed Dr. Vivian Sobchack of the University of California at Los Angeles. Fortier tells her interactions with the Maltese Falcon prop model created by her father for the movie, as well as with her actor Humphrey Bogart and Sydney Greenstreet and director John Huston. Fortier also inscribed the initials on the right rear tail of the gypsum malta falcon props owned by Hank Risan as her father. Fortier explained that she has many father's paintings and commented that many signatures have the same properties.

Once they have tracked Sexton's daughter Michele Fortier, the new aspect of the story will collapse. In August 2013, Risan took Vivian Sobchack and the crew to the house of Fortier in Los Angeles. Internally, they discovered many of Fred Sexton's paintings and sculptures, Fortier gathered paintings and sculptures from friends and family. Fortier said her father and John Huston were high school friends. As a 9 year old girl from 1941, she saw a sketch design of her father's hawk in a Manila envelope. In the next few weeks, she saw his carved clay model and later cast the plaster onto the film. She has no knowledge of lead falcons and her father has never worked with lead. Fortier remembers that when Bogart sang Falcon to actor Sydney Green Street and played Casper Gutman. She told her that Boger would keep it quiet, and remembered that "lie" was a bit of a joke.

Returning to Santa Cruz, Vivian Sobchack was unable to believe that everyone thought heavy Falcon Falcon was used in the movie. She learned from her own research that studio props are usually made of cheap plaster. She felt that the studio would ask Humphrey Bogart to draw a 45 pound monster when a six pound gypsum hawk was enough. After watching this movie, she thinks that weight is not so if the hawk is not shaking. In the coming months, Risan and his professor's friend traveled to Los Angeles several times. On the one hand they were called the Warner Bros. Retirement Club and got the living name that they were working in the studio in 1941. The first one was Ben Goldmond who was working at Warner's props room from 1929 to 1974.