In this article I will explain the portrait of a woman in the Renaissance. It explains how the body of a woman is depicted as a portrait; marriage guardian, husband affection, number of births, mother, wealth display, model of virtue, husband's passive expression, fashion Guidance etc. Next is an analysis of portraits of two women, Ginerva de 'Benci of Leonardo de Vinci and Lady of a Lady of Sandro Botticelli.
Portrait flourished as a manifestation of humanism during the Renaissance. Therefore, it awakens the classic interest in human relations and emphasizes individual development. In the fifteenth century of Italy, Florentine sculptor Donatello created a portrait sculpture using stones. This was succeeded by Desiderio da Settignano et al. Pisanello hit a beautiful portrait medal. Early Renaissance realistic mural paintings and group portrait painters include Benotto Gottzoli, Domenico Gillandaio, Sandro Botticelli, Andrea Mantegna, Giovanni Bellini and Piero della Francesca. Famous Renaissance masters such as Leonardo, Raphael, Andrea del Sarto, Giorgio, Titian and others bring formal portraits for elegant perception, rich colors and light New Height
This new viewpoint is "baptism" of "worship of human beauty", and the result is reflected in the art of the Renaissance. The portrait of Renaissance depicts the complexity of human personality, but the statues and arts of the Renaissance depict the sexy beauty of the character. Both are in many places in the Renaissance style church. In Northern Europe, the Renaissance took a humanitarian approach like a Dutch scholar Erasmus. At the same time, the ass with medieval tradition and authority was cultivated by taking the form of Protestant reform at the Christian church and returning to the original Bible text.