The play Amadeus and the Destructive Nature of Jealousy

The drama "Amadeus" is devastating in the general life of "Amadeus" and Peter Schaefer, with a focus on the jealousy of this passage. However, the drama also focuses on ignorance and innocence. Not only Mozart's talent but also jealousy, and the talent given by jealousy God, and Sarieli "Mozart ...... Vicious, laughing, conceited, baby Mozart." When he called it, God envy to laugh at "patron saint of mediocre".

Mozart's 'shameless' artistic genius and Antonio Salieri The mediocre opposition to the ordinary up drama theater Peter Shaffer's "Amadeus" summed up Mozart's jealousy as he played a role in the success of the murder. Play is not only for Mozart's depth explorer, but for an effective composition. Director brought to the stage Kent Thompson Mozart's humanity, and exact Shafer shows the author of the script. The audience with these very special roles in element play of the passion fault of fear and joy at the actual opponent

Wolfgang Amadeus Mozart was a variety of renewable musicians of musical instruments, born in the sunrise of January 27, 1756 in Salzburg, Austria, they started playing in public in the age of six. Over the years, various European venues and regular customers consistent with Mozart include symbols of hundreds of works, including sonatas, symphonies, masses, chamber music, concertos, operas, including vivid emotions and delicate textures Yes. Central Europe in the middle of the 18th century is in transition. Remnants of the Holy Roman Empire are divided into small, semi-autonomousism. As a result, competition between identity and cognition between these cities takes place. Political leadership in Salzburg, Vienna, Prague in the hands of aristocrats, like such small cities, their wealth is entrusted to artists and musicians entertaining and entertaining