The Orestia:Aeschylus, Religion and Women

In all respects, Aeschylus is an important participant in Athens' main theater competition. As a father of tragedy, Aeschylus used poetry to solve the moral dilemma that often appeared in his era. In Oresteia, the religious tendency of Aeschylus may seem to obscure his view. In the context of a drama, events created by human arrogance can cause this epic proportion of chain reactions and help only God repair; forgive God's events involving curses And it seems.

Some critics think that "Prometheus' bondage" was not actually written by Aeschylus, but I think that his other people, probably his son Euphorion, are also playwrights and true writers . This argument depends on the portrait of Zeus in the drama, it is a high criticism of the king of God, and contradicts the wisdom and justice of Zeus Aeschylus in "Olesia". It is difficult to judge all his works because there are only 66 complete Aeschylus scripts that we think are written. However, there are pieces from other plays "Prometheus unbound" and "Prometheus the Fire career" of trilogy. And it shows that what happened in the first drama has built the foundation of growing Zeus, Zeus Ultimately, when he reconciled with the rebel Titan he discovered his better nature .

All tragedies of Greek that survived completely are caused by Aeschylus, Sophocles, Euripides. Prometheus Bound has traditionally been attributed to Aeschylus, and rhesus monkeys have traditionally been attributed to Euripides, but are still dubious. There are seven surviving tragedies caused by Aeschylus. Three dramas, "Agamemnon", "Liberator", and "Euluman" formed a trilogy called Orestair. But one of the play, Prometheus, may actually be the work of Aeschylus's son Euphorion.

The Prometheus Bound of Aeschylus is the second of the drama Trilogy that depicts the story of Titan Prometheus. "Aeschylus's Medicean Directory" has three names called Promêtheus (desmôtês, lyomenos, purphoros), and the fourth one is possible that Promêtheuspurkaeus (Pollux, vocabulary 156, 10.64) is AD. The theme and location of Lyomenos from Scholiast to Prom. 511 are still controversial: (1) It can be inferred that it is another of Pyrkaeus. That name was (2) dealt with Titan's fire before the trilogy's desmothes - in this sense it was a messenger of fire or a donor of fire; (3) as a flame - it is the owner, it is Lyomenos And explained the opening ceremony of Promêtheia, the Athens Festival hosted a torch competition to commemorate Titan, now it became a god of ceramics association