The New Musical Language of The Rite of Spring by Igor Stravinsky

Schönberg's music includes replacing the sound, but he inserts his own 12-tone coloring method. The 12 - tone way he created made him the leader of contemporary music. In his early work he was still using the tone but during his later years he wanted to extend beyond the tone box, so eliminating coordination and inconsistency and primary key distinction Did. In his work "Piero Lunar", Schönberg uses expressiveism the highest.

Spring ceremony debuted with avant-garde ballet "Spring Festival" of Igor Stravinsky premiered in Paris, France on May 29th. In premiere, the work was regarded as shameful for the background of the story. It depicts pagan sacrifice, anomalous choreography and luxury costumes in ballet. The music is strongly influenced by European folklore themes and depends on discordant voices, so controversy also arises about music. The audience saw Sergei Diagelev's ballet company dancing with Vaslav Nijinsky choreographer.

One of my favorite music is Igor Stravinsky's "Spring Festival". As a ballet and scored for a classical orchestra, Rite does not sound like you think when you think of "classical" music. It is no longer a high society nor a melody, it has changed from soft and sensual to savage, ferocious and contradictory. When it was first published in Paris in 1913, it almost caused a riot. The recording of my favorite "Spring Festival" is a four-seater piano version played by Fazil Say and most of the colors are reproduced. A complete orchestra uses the "just" piano. (I said "just" in quotes, since Say has a lot of studio magic, Say first accompanies him himself, he crouched, he crouched, the piano is "ready", John Cage .)

It did not end there. Twentieth century composers, especially Igor Stravinsky, split up while trying to accentuate music and obtain amazing dramatic effects. Stravinsky's "Spring Festival" incorporates rhythmic rhythms, blends very irregular patterns and releases the rigid rhythm structure common in orchestral works. , Synopation was greatly encouraged. Traditionally, West African musicians have focused more on various aspects of rhythm and have created a complex, dynamic and fluid rhythm that European opponents could not imagine.