The Natural

Natural iris and memo, eternal battle of good and evil, angel of good and angel of evil. In nature, angels take the form of women who communicate with Roy. The "good angel" of the iris has had a good influence on Roy and I am deeply worried about him. Contrary to the iris, there is a note of "bad angel". I care about what she can do other than poverty. There is nothing for her, nobody cares. The reason why memos can be entered with Roy very easily is that she uses her body, her appearance.

A natural or natural image (this means a natural image, this is how a novelist uses five senses to express nature - a novel by definition is an art, "natural" For example, the remark at the beginning of A Wrinkle in Time is a dark stormy night, imitating a strict opening line in a bad novel, but setting and building a dark tone for the story Please point out the importance of fighting about evil, about the importance of love and family

Tone · In most novels, the talker manipulates the tone to reflect the emotions and thoughts of the various characters you care about. But his overall tone seems to indicate prejudice against Indian's free natural lifestyle. The real son was in trouble, so the condition of the book became increasingly ominous. O Pioneer! In the winter of a furious wind, Hanover, Nebraska was held from 1883 to 1890. The narrator introduced four main characters: Very young Emile Bergson, his strong sister Aleksandra, her pessimistic friend Carl Rinssehram, and a beautiful Bohemian child, Mary Shabata. From the town, Emil and Alexandra and their neighbors Carl returned to the desolate plain known as split. Alexandra's father, John Bergson, is dead

For the repressive male-centricity of women and nature, Willa Cather's successful depiction of the role of Alexandra Bergson shows the artist's tradition of artistic recognition and inheritance of the writer. In short, the tragic move played an important role in this novel. ___ TM_ 2. åoo1äooä¹å å å å åå ° ° ... 3ç 3 »CS" ä 1/4 | ç â,¬â "â €" € ¤ € SA • Šï 1/4 «è,è € ... one € <ACS" C "1 / 4 | 1/2 | 1/2 | 1 | 2/4 |> 1/2 - - - - - - January 42, 2010 January 4 ‰: 126-134. È '> ço, è' > § § £ __ ___ ___ ___ ___ 0 ___ ___ 0 ___ ___ ___ 0 AE ¥ COE <E - ÅAå ‰ AA 3 AA \ 3 parts å 1 å € ¤ 3 ... ‰ 3/41/2 † ___ ___ 0 ___ ___ 1 'å | ç), 2007 (3): 61-64