The Narrow Road of the Interior written by Matsuo Basho

Matsuo banana 'inner narrow road'. Until the 17th century, Japanese literature was privileged property, cultural spread, and printing of printed text. For the first time, the conditions necessary for this particular contemporary phenomenon, celebrities were born. (Seen in Robert T. Dunley, an interior narrow road editor, written by Matsuo Basho, Norton World Literature Collection, 2nd Edition, Volume D). Celebrities are sometimes loose words; it means wealth, compliments and fleeting fleeting.

My idea was discovered among these seemingly different ways, but I examined the inner pathway written by Matsuo Basho in the 17th century. That is an important part of Japanese classical literature. What makes Basho's work unique is that it is "Haiku" - a form of literary art combining prose and sum (a very short form of Japanese poetry).

Basho Matsuo wrote the travel story of 1694, and the back street was intended to record the hiking experience in Japan during the Edo period of the 17th century. The narrow road to domestic affairs is written in a hibern style that shares insights into nature and life, encourages nature's research, and leads the reader to appreciate the outside world. While looking back on my inner world

Masao Matsuo, aka Basho (1644-94) is a Japanese poet and writer in the early Edo period. He took his generic name Basho out of society due to his solitude and took it from his basho-an, cottage made of psyllium leaves. Basho was born into a young family and became a warrior until 20 years old. He devoted himself to his poetry. Basho is the hero of the development of the ha sentence and is considered to be the most perfect example of the form. His poetry explores natural beauty and is influenced by Zen Buddhism suitable for his laugh meditation. He experienced a large trip throughout his life. In 1689 I traveled the northern and western part of Edo for 5 months and offered insight into his most famous work, the narrow path (deep north narrow road). This wonderful work was published at the end of 1702 and most Japanese high school students are still reading.

People may think that it is boring and sad living this nomadic life, but Basho does not agree. First of all, Basho is not always alone. During the journey from narrow Road to Deep North, Basho accompanied his old neighbors and student Kawasai. They visited places heard through previous poetry and visited many shrines and temples for the religious spirit of Basso of those days. At the end of the trip, Basho completed a magazine he once called his most famous work. This is because Basho does not consider roaming life as a burden, but I think that "every day is a journey and the journey itself is a house" (Matsuo Web).