The Myth of Eurydice

The myth of Eurydice is a sad story where two lovers are separated by death. After his love, Orpheus entered the underworld to find her but lost her. Playwright Sarah Ruhl uses the myth of Eurydice to try to turn this sad story into a more relaxed story. However despite humorous lines and movements throughout the script, the depressing situation in real stories overwhelmed any realistic quirky things. Although talking about playing, Sarah Ruhr's "European sculpture" can be seen as a contemporary tragedy of two lovers who are master of destiny.

The end of the novel has been interpreted numerously and is related to Orpheus and Orihus of ancient Greek mythology. Near the end of the novel, Corelli left Pelagia. In Greek mythology, Orpheus' young wife, Euridice, was married and soon stabbed by a snake. Depression can not cope with her loss, go to God and ask if he can retrieve his wife from underground (hell). God's consent on the condition that Orpheus had to see his wife until he completely left the underworld. Talking about his wife, seeing if she is following him, he could not recall God's request, and Eurydi was taken over. As Pelagia watches Corelli, Orpheus can only see Eurydice from afar.

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Eurydice is a drama by Sarah Ruhl in 2003 and he talks about the myth of Orpheus from the perspective of his wife Eurydice. The story is focused on returning to Earth with Orpheus, or Eurydice's choice of staying in the underworld with her father (a character created by Ruhl). Ruhr made some changes to the original mythological story. The most striking point of these changes is that Orpheus succumbed to his own desire in myths and reexamined Euridis, whereas in Ruhr's version Euridis was called Orpheus. Maybe she wants to stay with the father in the dead country. Ruhl's script is clearly written to be a playground for collection designers.