THE MUSEUM OF MODERN ART ORAL HISTORY PROGRAM

SZ: I'd like to do with you, but I want to know more clearly.

In an interview with historical history, the conceptual artist Eleanor Antin reminds me of a visit to the modern art museum in childhood in the 1940s. "I chose a photo before, carefully looking around and pick the photos I learned now," she said. "I will see other things, but I spend a lot of time in front of the day before that day.I am very happy to see them, so I clearly remember them." New York City Museum She I will tell you the story of the Van Gogh exhibition I saw with my mother at the Metropolitan Museum of Art. "We both lost and it is unbelievable," she told verbally. "We both took a hand and we all experienced it."

Oral history fills the gap between written history and personal experience. The Oral History course at the Computer History Museum uses unique voices to record and preserve memories of computing pioneers all over the world, enriching academic research and adding new depths to computer history. For details, please visit computerhistory.org/ collections / oralhistories /.

The interview is part of the American Art Oral History project that began in 1958 and records the history of American visual art through interviews with artists, historians, dealers, critics, and executives. Funding for the transcription of this interview provided by the Pasadena Arts League. Paul Karström: Of course, this is also the story of those who participated in a very interesting period of the art world. You are mainly a cinema producer, at least I definitely know you. Still, you must be explained that you know the way to cross people in other artistic disciplines. But a part of it is the final important part of this interview. You talk about your movie career and what it means to you. You also have contact - yeah, you are participating in the current Whitney Exhibition