The aim of this paper is to provide reasonable evidence based on the Moreria law to prove that images 1A and 1B are from the same artist. The images of these painted potteries are derived from the southwestern archeological culture about 950 - 1150 (Frye, 2011). Drawing each pottery, craftsmen use similar techniques like checkerboard, thick lines, shadows, use of front and negative spaces, and anatomical representation. Although the overall image varies widely, the purpose of implementing the Moreria method is to determine that the artist creates a small piece of the piece using the same expression.
In 1874, Giovanni Morelli created the Morella Act. In order to distribute the picture correctly, Morel is thinking, "The museum is full of invalid paintings." To distinguish it from the original picture, pay attention to the details of the picture rather than the general features. Earlo, nails, fingers and toes are the details that Morell is talking about. He believes that these details really indicate the "artist" of the original artist. Each painter has his style of painting. It can be traced by paying attention to any shape, color, stroke and size of the picture from the landscape to the body part.
Giovanni Morelli (1816-1891) is an Italian art critic, acquires scholarship skills identified by subtle details, revealing almost unconscious shorthand and depictions of artists. Convention Morelia's method provides clues based on negligible detail, not by students, scribes, imitators capturing compositions, subjects, or other widely-handled identities. Morelia 's method has the closest root to MorerĂ' s own medical field and identifies disease through multiple symptoms, but each of which may not be obviously important. Using Morelli's method, a scholar recently believed that the fact that the toe of two female characters was drawn in the same way would reinforce the artist or earlier Vermeer's Diana and Martha and Mary. Mary) Fellow who is at home and Christ.