The Modern Poem: Words and Losing a Language

Poetry Prose Contemporary poetry "contemporary poetry" and the two modern verses of poetry "speech" and "lost language" all reflect the central theme of usage and style of a particular language. They all show how the poet succeeds in how people feel and write poetry. Both to distinguish the poetic style of modernism from the poetic style of postmodernism are both trying to deviate from traditional prose in the 19th century, especially realism. Both have a tendency to form subjective philosophy. Because both explore the inner emotions of characters and use them to develop ideas and ideas in the minds of readers.

The most prominent feature of this poem is that it uses language. Especially since modernism began in the beginning of the 20th century, the words themselves are complex and noble, elitist words that the artists are increasingly trying to avoid. The audience that the contemporary poets themselves imagine is one of the ordinary people who do not want to abandon these readers with words that only educated readers can understand. Many of the words used by Whitley in "General Washington's General" are more familiar to Washington military ordinary soldiers than today's students. Most of them are clear when read in context, but they are not distinguishable words. For example, the difference between "refulgent" (line 4) and "refluent" (line 18) is perhaps understood by one in 100 people.

Therefore, the aesthetic form of contemporary poetry is based on spatial logic, which requires readers to completely relocate language attitudes. Because the main reference of a group of words is the content of the poet itself, the language of contemporary poetry is actually reflexive. Semantic relationships are achieved only by spatial simultaneous recognition of groups of words that do not have a mutually understandable relationship when read in continuous time. Contemporary poetry is not to directly and directly refer to objects or events that they symbolize and constitute meanings from the sequences of these references but rather to temporarily interrupt the process of personal reference to the entire pattern To the reader. You can understand that internal references are uniform

Poetry is not something, it is just a word pointing to other words, and these words refer to other words and continue to the world of compact literary languages. Any poetry is a poem, and any kind of poem reading is a kind of reading. I can not imitate what others are doing, what he is writing, what he teaches, thinking, or reading. The relationship between you and people is traditional. (107-108). Enabling reading and writing is not a single preceding behavior but acts as an essential origin and moment but a series of distinguishable lost actions constituting the language: the possibility of discourse, the customary system, the rule Complaint, description system (110)