The Mise-en-Scene in the Film Marie Antoinette Directed by Sofia Coppola

"Mary Antoinette" (2006) supervised by Sofia Coppola is a drama / comedy focusing on the life of the French queen before the French Revolution. Coppola's movie style is very modern and avant-garde. The film focuses on Antoinette's view on all adventures and difficulties. She is the most recognized role for audiences, and her observations are most important (except spectators). So she has a lot of close-ups and high light.

When Sophia Coppola chose to write a movie about Marie Antoinette, I noticed this (very inaccurate) prediction in my diary. She calls my book "the best thing ... full of life" and is not a dry historical drama that sent me a very elegant personal light blue note (the color of Mary Antoinette) , "I will be able to express how she experiences the magnificence of the palace, costumes, parties, and competitors, and ultimately it must grow." The role is to "fight for a strong family, and for her identity."

On 3 December 2005, Eleanor Coppola interviewed the promotional video about Marie Antoinette. I honestly told my mother of Sofia that I could write a colorful picture of the beauty of Versailles. Or is it wonderful. I left Sophia's real victory to the very end. Once again, the woman who kept the promise completed the movie as defined in the Light Blue Mission Statement in January 2001. The movie was truly "lost in the Palace of Versailles", in other words, in the case of foreigners is the wisdom of a young girl. With the help of unparalleled Kirsten Dunst, she has focused on the plight of Marie Antoinette.

To be fair to say, not everyone hates Sophia Coppola 's Marie Antoinette. David Edelstein in New York called it "one of the most direct personal costume dramas ever"; by varying degrees, 55% of rotten tomato critics supported him. But seven years later, Marie Antoinette was based on the best-selling biography of Antonia Fraser, probably the most popular Coppola movie. This is the topic of the International Cannes Film Festival (of course, the French Cannes Film Festival); it is a person who is tolerant to the loss of translation. If you are anti-Sophia, it may be the most obvious example of her worst tendency: an excessive young lady who refuses to speak in complete sentences or does not speak at all