The Mirror of Time and Memory.

Mirror of time and memory. I live in the house - the house will stand. I will make a phone call in the centuries and I will build a house for myself. Wooden props like shoulder blades I help the past everyday, measure time and go through Urals through a surveyor chain. I only need my immortality to keep my blood from age to age. Always warming the needle of a flying life is not a clue as I cross the world.

Tarkovsky's mirror is a philosophical personal and autobiographical movie about memory and time. The concept of time and memorial was the subject of other writers; for example, Alain Resnais' Muriel (1963) is a personal film exploring these problems through the French historical social transformation framework (circa 1960). Tarkovsky 's mirror, or entitled Mirror or White, White Day, delves into the personal history of that person through the kaleidoscope network of the interwoven era. In "mirror" history is a mysterious mirror reflecting three different levels of time, in which time represents universal unity. There are three different periods that distinguish time from other major depictions of Alexei (narration) (narration), the main character of Alexei's personal history, only to see the end of the movie.

The mirror extracts images from the memory of thinking and encloses them in the world of time. Material objects are reflected in mirrors (time images) as dual movements of release and trapping in which the virtual object Mirror_s is real, the instantaneous image is separated from its surface and crystallized to physical properties. Mentality In other words, a time image has an image structure which is a combination of an actual image and a virtual image. Donato Totalo explained that the importance is related to substances. It is an extension of spatial and animation, spirituality is related to the period and time of thought and memory. As seen in Hollywood movies, animation is a kind of spatialized film, time is measured by motion and determined by action.

Memory seems to be perceived by objects in front of objects in the mirror. You can touch the object or see it is real. The image is virtual, and it is similar to an object, but it can not do things the object does. Then, our real existence, along with its virtual presence and mirroring, is replicated as it expands over time. At every moment of our lives, there are two aspects, practical and virtual, on the one hand and on the other hand. Every moment of life is separated when it is assumed. On the contrary, it is included in this highly segmented part that is constantly moving at the present time, and there is no longer a short-term restriction between the nearest past and the most recent future. It is not a dynamic mirror, it is just abstract and always reflects recognition as a memory. (Pages 134 to 135)