The Master vs. The Student: Antonioni and Coppola

Master and student: Antonioni and Coppola Michelangelo Antonioni started turning into an Italian film in the 1950s. He left several aspects of Italian neo-realism, but then entered the art and film world. With the achievement of a series of blow-up MGM movie English movies, he uses twists and turns, a strange story, shaking in, puts it fashion. London (Thompson & Bordwell, 426-7). Through a precise and spacious camera technology, he further expanded the movie 's story and the distance of the audience.

In 1974, Francis Ford Coppola (Francis Ford Coppola) introduced one of his most exquisite masterpieces Godfather Part II, as well as the big hit movie "Godfather" (Godfather), which alters the game Next ... .... But it has a Coppola Best Academy Award "Lost" movie in his sequel and I found it more interesting. In the same year, at the peak of the 1970s paranoid thriller, Hollywood's hottest talent is a remake of the director and multinational Cross Anthony's blow up Parme D "or wrote a production of a winning conversation, Gene Hackman ( Gene · Hackman) Showing the best monitor guru Harry · Cowl (Harry · Cowl), he is a tragic loneliness and a delusion man, his current eavesdropping, he is leading 2 innocence The people are confronted with their collective fate.The more carefully he studies his magical record, he can determine its volatility

Sophia Coppola's epoch-making movie "Lost in Translation" (2003) is a story of two lonely and disgusting people, they are very different in their lives, but very important decision points is. They are also in a strange environment and feel more isolated. We already have two important comparison points: an isolated character and an oppressive environment. These characters are looking for something in their life. They are seeking to heal each discontinuity and cure their own loneliness. Coppola Concepts The worried men and women, in a more modern way of reinterpretation of Charlotte and Bob, Antonioni's movie, so pairing with classical pairing

Everything follows "the age of living"; the influence of Michelangelo Antonioni on the expression of emotions in the movie