The Language of The Prophetic Art by David Bindman

The work of William Black is called "Lover's Whirlwind" and the Last Full circle (Figure 1) represents the scene of Dante's "God Comedy". In this article, the main point of prediction in the language of art, Benderman, in his life of life, his artistic development and evolution reflected past technology, he continued to use it for his art work I refused my career. He proves this by comparing Blake's work with works of other artists and uses these examples as a clear example of the use of Blake's other styles and integration into his work .

23 The most comprehensive review of these art history is "Black figure of Western art" (Bindeman, Gates, 2014), which includes a chronological part of modern and contemporary black art It is. , Part of the international, completely original fashion. In another way, many American museums use a search exhibition for different purposes, cataloging the main African American art with a catalog devoted to their own, occasional encyclopedia collection I will organize it. 2010; African American) Art, 2012; Mercer VJ, 2012; Representative, 2014; Commonwealth, 2015)

In English, "modern" and "modern" are synonyms. Unfortunately, in the art world these two terms represent two different creative eras and two different artistic creation methods and artistic functions, often causing the greatest confusion. In order to understand the category of contemporary art, we must first understand the difference between them. The term "contemporary art" is often associated with the art spreading between the 1860s and the 1970s. The art festival held during this period put aside the past tradition. The function of art that tests the viewpoint of various materials and art is born from the story, features and abstraction of traditional art. The dependence on this new freedom and revolutionary internal vision, and the way it is expressed, shows the greatest influence of contemporary art.

Art is not a mind, language, philosophical concept. Art is the creative manipulation of substances (paint, celluloid) and things that are not important (language, sound) to produce real things. "Art is a real thing," an art historian told me. "You do not need theory." The real insight about art and how it works comes from direct research on art. They are eager to create a new academic field that seems strict in the 1970s, and film researchers are blocking their fields from a fashionable point of view. Even though they advertise "specialty of drama" and fill the importance of screenplay and language in media research, scholars use language weights and metaphor of "movie language" to make their subjects worse. Film students can experience real art at least other than reading; students from other fields written since the 1970's (such as female studies)