The Importance of Foreign Films

I think that viewing foreign movies is not a waste of time and effort because it seems to get more opportunities to see movies that are more consistent and stimulate thought than American movies. Let's make more art and reality movies. Foreign movies show examples of audiences' lives and experiences, but if they are spoken in foreign languages ​​rather than produced overseas, they can not be drawn accurately.

From 1933 to 1940, the importation of foreign movies was also severely restricted, and in Germany it stayed from 64 to 5 films a year. Entertainment movies became increasingly important at the end of World War II and the movie provided a continuous threat of interference deflecting Attention to Allied bombs and German Failure at the forefront . In 1933 and 1944, movie theaters raised more than 1 billion dollars, including the box office income such as DiegroßeLiebe (1942) and Wunschkonzert (1941) combined with movies, wartime romance, patriotism It was.

Promotion is also considered an important tool for foreign relations. International exhibitions such as Alexandre Nevski, distribution of movies and other media, and journals such as the Soviet Union, and solicitation of famous foreign visits to the Soviet Union, means of obtaining international influence . Germany invaded Poland on 1 September and the Soviet Union closely followed September 17. The Soviets settled the opposition by executing and arresting thousands of people. They dispatched hundreds of thousands of people to Siberia and other remote areas of the Soviet Union. The estimate is in the range of more than 1.5 million people. Most conservative figures display 309,000 to 381, 220 using recently discovered NKVD files. In the four major expulsions between 1939 and 1941

Tokyo became the center of film production and most of the early studio began as importers of foreign movies. In the 1920s, Japanese studios came to adapt to the Hollywood production, distribution, exhibition and promotion system. In September 1923, the ninth level Kanto earthquake separated each studio in Tokyo except Kamada Shochiku - the rest of the area was rebuilt in other parts of the state: Kyoto, Osaka and Kobe. The explosion of the earthquake followed by allies' bombs and nitrate-based film stock resulted in the loss of the majority of the film produced earlier.