The Importance of Creative and Cultural Industries in Britain Today

The importance of today's creative and cultural industries in the UK Creative and cultural industries play an important role in the daily lives of British society. There are various creative industries in London, from Western musicals to artists of pantomime working on the streets. There are dances and theaters that audiences can choose. Because these industries unify society and create entertainment for today's British, this can be considered important.

The UK is the world leader in the field of culture and creativity, the world's first country to define the implications of the cultural and creative industries, and to propose relevant strategic development plans and policies. After nearly 30 years of rapid development, the cultural and creative industries have become the second largest industry in the UK, followed by the financial services industry. In 2016, Royal College of Art, Bartlett School of Architecture, Dezzen's architectural design authorities ranked in the top three of the most popular top 3 design schools. Every year, cultural and creative industries contribute £ 91.8 billion to the UK, with an annual growth rate of 6%, much faster than the growth of the national economy as a whole.

Today, the economy of knowledge and experience has expanded to a culture that recognizes culture, and now it is also the importance of the creative industry (Evans G., 2009). The creative industry belongs to the 21st century, but since the 1970s creativity has been used to improve urban development. During this period, the city was empty for the ongoing suburbanization process. Then the policy maker's idea came to noticing that this process led to the consumption of the city center, and they used artists who used educational background to produce small ones (and other creative People) to attract people to the city High-tech enterprises or start-up policy decision makers use it as a means to turn this process back into urban growth and prosperity (Vanneste D., 2015). In these abandoned areas creative classes promote bottom-up revitalization (Florida, 2002)