The House Behind the Cedars by Charles W. Chesnutt

Caucasians and blacks do not want to judge poor people, hungry people, unfair people. But they were born in the blood of their parents and they need to live in different environments. Depending on the type of blood the parents give to them, their lives are comfortable or hard. Especially for multiculturalism, mixed-mixed children with white and black blood have more difficulties in life. Indeed, the main information story about Charles W. Chesnut racial relations, "The House Behind Cedars" is Muratas' struggle in the white, black and Murat national societies.

Michelle adapted the two works by Charles W. Chesnutt and made their original version: The Conjure Woman (1926) and The House Behind the Cedars (1927). The latter addressed the problem of mixed-blood and overtaking, and when the Virginia Film Commission reviewed it, he was forced to cut to show it and caused such a big controversy. In 1932 he recreated the story into a healthy movie and announced it under the heading "Veiled Aristocrats". The silent version of this movie is considered to have been lost.

Some of the most outspoken criticisms on the reasons for the failure of the alliance came from African Americans before the southern writers, including Charles W. Chesnut who wrote the novel in the First World War, 1900. "Cedar House" The traditional bone marrow of the following year. However, African-American writers are not considered part of the southern literary tradition, but white men are male writers who mainly consider themselves as authors and guardians. Given the outstanding performance of other famous African-American writers from the South, this is a fairly obvious omission like the author of the famous novel "Traditional Son" in 1940, Richard Wright, Mississippi.

Chesnutt, Charles W. (Chesnutt) (1858-1932) A short story writer, novelist, biographer and essayist are often called fathers of contemporary African-American novels, Charles Waddell Chestnut is the most It is an influential African American. An American novel writer from the late 19th century to the early 20th century. His stories, novels and essays provide a realistic explanation of prewar and postwar African American lives, and there are no racial stereotypes often enriched by white writers. Chessart's writing challenges deep-rooted racial hypotheses, and many of his work-related issues, including mixed, racial prejudice, and folk tradition of African-American culture, are accepted by later writers Yes.