The History of Photography

The name "photograph" in the history of photography comes from light and light written in Greek. Sir John Herschel was the first person to use photographic jargon in 1839. At that time, he restored the image using sodium sulfate. He expressed the photograph as "application of actinic radiation in graphic performance". Herschel also made the words "negative", "positive", "snapshot". However, a man named de la Roche (1729 - 1774) wrote Giphantie and in this imaginary story capture the image on a natural image coated with a sticky material that produces a mirror image Is possible. Sticky canvas, fixed after drying

The history of photography is full of problematic expressions. From the early colonialists who moved the subject with the camera to modern photojournalists, taking pictures of other people from abroad, taking pictures of other people, who made that image, and why I have always been concerned about. Depending on what you are talking about, Carl Van Vechten is a reliable friend, a person who has confidence in Harlem in the middle of the century, or a time zone visit that uses his privileges to approach the leading black culture Either. There is no doubt that white music critics and portrait photographers are focusing on the cultural life of Harlem - Van Vechten used his huge trust fund to party at Harlem at night, photograph Take a picture and write down his upper Upper West Side apartment during the day

In lectures and lectures focused on the history of photography, through the medium we have worked throughout the lifetime, we have the opportunity to consider the aesthetic, cultural and social aspects of art. Therefore, photography lectures are a good place to discuss larger topics such as original and copy relationships, images and their material support, real-life performance etc. Scope: Since the middle of the nineteenth century, photographs have limitations to capture color and movement, and despite their ability to steer, they have been considered as realistic objective expressions. In this course, students need to think about contradictory but inseparable aspects of the pictures to take into account the role of photography in science and art in the 19th century.