Hip hop school can reasonably say Most music works involve musicians working in the relatively stable "genre world", ongoing creative practice is not about sudden explosion, he I am always familiar with it. .......
Leyland La Baka studied the history of hip hop style, saw the Harlem Renaissance, Black Art movement, and feminist art movement. He criticized the tradition of hip hop culture and emphasized the black male nature and the way to express this masculinity in hip hop. Lavaca assessed how this black manhood was copied and consumed by the public, especially when seeing white people. Rabaka claims that important academic investigations can also be applied to hip-hop. In understanding political and social activities, Rabaka said he must consider the contribution of hip hop.
Hip hop is a historical American school that is deeply rooted in the passion and resistance to social, economic unfairness and freedom. But recently, old fashioned hip hop head was confused with new type of hip hop bubble gum trap. Artists such as D.R.A.M, Lil Yachty, Kyle, etc, introduced hip hop and black culture and created a new space for themselves. They make hip-hop happy. If we step back from the Bubblegum trap to see the history of music, you will find that jazz, blues and hip hop expressions are directly related to oppression and violence in American history. As James Baldwin said in his next fire, "This is the freedom that people hear in some gospel songs, such as jazz.In every jazz, especially in the blues there are some shame and irony authority Dual - As the song says, only those who were "low key" know what this music is about ... not us, or are we fine?