The High Window and The Lady in the Lake by Raymond Chandler

Raymond Chandler Raymond Chandler and Dahir Hammet invented the "high windows" and "Mrs. Lake" now known as modern detective literature. Chandler did a wonderful job in art, and created a cynical "private * review *" of such "smart hacking" like Philip Marlow. Marlowe and Sam Spade are always standard personal eyes. Philip Marlow has a smooth conversation, but he has a sentimental personal perspective. As Sam Spade is criticized as many critics, the sentimental side of Marlowe is to turn him into a real person, not a "colorless narrator."

Raymond Chandler b. Chicago, Illinois, July 23, 1888, d. Raymond Chandler returned to the United States as an accountant and a bank before 26th March 1959, after California's La Jolla educated in the UK, before writing the pulp novel in the 1930s. The success of his first novel "Great Sleep" (1939) brought him an invitation to Hollywood. He has two aspects to this movie. It is an adaptation to screen authors and screens of six novels. Some of them are more than once. After cooperating with Billy Wilder to shoot the double compensated script (1944), Chandler was increasingly disappointed in Hollywood and considered it as a destructive environment in the Atlantic monthly magazine article. In addition to receiving two small film beat credits in 1944 and 1945, his only additional film work was the original script of Blue Dahlia (1946).

Forty years ago, the Blairwitch project advertised the idea of ​​telling a movie from a camera perspective and actor and director Robert Montgomery diverted Lishy Chandler's testimony of Philippo with Lake. After all, this case proved to be a minor Marlowe, and the first person gimmick will be depleted during movie operation. But apart from these reservations, if it is only to witness Montgomery 's pure boldness and creativity, the movie is definitely worth a look. This is an example of a textbook beyond the era. -