Keynote lecture: "Great Awakening Between the 1730s and the 1740s" - Speech:
The first big awakening (sometimes a big awakening) or the revival of evangelism was a series of Christian Renaissance that struck the British and the 13 colonies of the 1730s and the 1740s. As the believers strive to renew their personal beliefs and religious beliefs, the resurrection movement has permanently influenced Protestantism. A big awakening shows that the English-American gospel evangelist appeared as a sectarian movement within the Protestant church. In America, the term arousal is most commonly used, in the UK it is called the resurrection of evangelism.
Historians said that the first awakening in the 1730s and the 1740s and the second awakening in the third wake up from the late 1950s to early 20th century. These Renaissance were part of the big romantic religious movement that struck mainly in Europe, mainly England, Scotland, and Germany. Just like the first big awakening half a century ago, the second reflection of romanticism is characterized by passion, emotion and charm to supernaturalism. It rejected skepticism, faith, and rationalism left behind from enlightenment. Almost at the same time, similar movements also flourished in Europe. Pietism swept the German countries. Evangelism in the UK is very strong
Edwards was part of the first big awakening that hit New England and other areas in the 1730s and 1740s. Puritan felt that the religious beliefs of people faded and great arousal tried to awaken people's beliefs about God's possibility to determine fate. In the meantime, most sermons were intense sermons, designed to evoke the faith of the audience and turn it into a personal devotion to Christ. "So this is not because God does not notice their evil, not because they do not resent it, he will not cut off his hands and they will not cut them out. Bad, their curse can not sleep, the pit is ready, the fire is ready, the stove is hot now, ready to receive them, the fire is now angry and shining. And the hole opened her mouth under them. "
From what point of view is Jonathan Edwards's "sinner in the hand of angry god" written? What is the overall effect?