The Grande Illusion

The 1938 French movie "Great Illusion" by Jean Renoir is a good example of the war that influenced individuals and changed their view during the war, but the norm of war and war. Movie titles can be read and interpreted in various ways. During the war "grand illusion" can be interpreted as a unique "grand" concept, and the word "grand" means "inclusive" and many " Fantasy "can be used. The main thing of the "secondary illusion" to be discussed here is that war is short-lived and basically does not change viewpoint, society or Europe dramatically.

French actor Jean Gabin (1904-1976) - Les Bas-fonds (The Lower Depths, 1936) and La Grande Illusion (The Grand Illusion, 1937) will focus on all people of the stoic - Pe'pe 'doomed The murderers le Moko (1937), La Bete humaine (The Human Beast, 1938) and Le Jourdère've (Daybreak, 1939) gave a tiring honor and these characters are seen by simple criminals You may. Hollywood studios are well known, but they recognize that type conversions inevitably extend and complicate types. Paul Muni (1895-1967) played Tony Camonte at Scarface (1931), but he refused to convert, and two other outstanding screen gangs, James Cagney (1899-1986) and Edward G. Jackson. Robinson (1893-1973)) played a role effectively. Even within the types of their threats and against them, even though they are not physically imposed. The charm of Cagney and Robinson is basic. His successor is more introverted by Allen Rade (1913-1964) and John Garfield (1913-1952).

Sir Norman Angel was most widely remembered in his 1909 booklet "European Optical Illusion" that was published as a book of "fantasy" the following year (and many years later). (The anti-revolutionary film La Grande Illusion received that title from his booklet.) The discussion of this book suggests that the economic integration of European countries has developed to such a degree that the war between them is completely wasted is. Militarism is outdated. "Dog's life is too short, their only mistake really is" - Agnes Sligh

LA GRANDE ILLUSION of Jean Renoir, France received the Best Artistic Contribution Award in Venice in 1937. The news made Adolf Hitler angry. Because he did not understand why German films did not win prize in that year. As a result, close collaboration between Hitler and Mussolini was held, and control over the future awards was maintained. This completes independent programming. On his way home from Venice, after Hitler threatened the jury to change the final result of the game, French writer Philip Elller proposed a different holiday idea. He conceived a new event based in France, where "non-censorship" and "freedom of speech" are the driving force.