The Godfather

This is a masterpiece. Eternal masterpiece. Initially, I did not like this movie - I felt it was boring because I exaggerated too much. This gave me the function I needed for this movie until the DVD appeared: subtitles. When I opened them, I heard (read) all the words of brand roaming and other characters, my real appreciation of this epic

To make a real epic you need three elements to work perfectly and harmoniously. For the writer who is experiencing this problem, please follow the instructions on the plane. 1) Role of Contrast: There are some differences in good movies, but most of them are quite flat, as the cores of each character are the same.

Of course, there are exceptions to this rule (that is ... I want a monaural character ... that is, a matrix, or a strange contrast I want ... the fifth element). Finally, this is the depth, meaning and magnificence of the movie. Consider the contrast between the children of Don. Michael is very calm and reasonable and gathered, but Sony is more enthusiastic, spontaneous and simple heart. However, comparing these is not enough. What you really need to do is develop these roles - to place them in specific situations - and to detail how those roles affect their situation. A good example of how Godfathers solve this problem. Many people try to do this with scripts, but most people lose plots and create roles that extend reliability.

2) Conversion: The central figure has to go through the transition and almost no recognition at the end of the movie. By placing them in the situation, the role of the role not only affects the outcome of the situation, but also needs to have a permanent impact on the role. Think of Michael at the wedding ceremony and compare it with Michael who saw at the end of the movie. Many movies will retry, but most will fail (literally, not praise) or just ridiculous transitions (eg Wall Street)

3) Patience: Blackman 2 is a shocking movie for simple reasons - the whole movie is compressed to about 70 minutes. This is not longer than the plot of ER or Buffy. I certainly wish Hollywood's new goal is not to make the movie as short as possible.

All the great people spend time - generally speaking of personality, family life, growth, and perseverance to storytelling. This is the key (provided that this story is not annoying). Dancing with wolves, Heat ... etc are very patient, but it is the top movie. The studio may be warm for feature films, but if you have the story of ripper, they are worth it.

Salvatore "Sal" Tessio is a fictitious person of Mario Puzo 's 1969 "Godfather", two movies based on it, Godfather and Godfather 2nd (1974). His name was created for the movie, in the novel he was called "Tesio". In the movie "The Godfather", Tessio is drawn by Abe Vigoda. In The Godfather Part II, John Aprea depicted a young Tessio and Vigoda created a flashback track at the end of the movie at the end of 1941. Tessio and her friends Peter Clemenza and Vito Corleone have started a low level fraudulent crime history in Manhattan near New York, New York. As Corleone rose in the underworld of the Mafia, Tessio and Clemenza became important people to be trusted. Tessio has a good connection throughout the autonomous region, and it is the base of activities of Brooklyn's embassy club, his mafia soldier.

Solvino 's scruples remembered Marlon Brando' s members at 'Godfather', but 'Service-to-Other' did not share the investigation of the 'Godfather' film on the evolution of the Mafia's response to social injustice, There was no importance. Coases mistakenly abandoned his attention to telling the perfect story of the only wolf in the mob community. The second half style of the movie has become a crazy, fanatical imitation that looks like a wasted Liotta's mental state. De Niro is solving his own destruction by eliminating other participants in a massive robbery, he agrees with a new criminal economics, and Liotta finally chose a relationship of freedom and loyalty.