The God Of Small Things by Arundhati Roy

Before entering "The Third Voice of Music" (35), Estha, a small god of Arundhati Roy, "fulfilled his first adult mission" (93). He went to the bath himself, but Ammu, Baby, Rahel attended the lady's room. This small detail on the use of the toilet is another example of the fact that Estha is obliged to become a man from a young age. As he was singing a movie, Ammu said "close !!" (96) to Estha.

Today, I will review the story of Arundhati Roy's "The Little God", a story about the dysfunctional Indian families entering the unknown world. Two tragic reality, the twin twins do not believe they belong, and they try to find their voice in a world they do not want to hear. An amazing comparison between family relations and external environment is truly convincing in this book. The author can capture the peace and beauty of the town Ayemenem where the majority of the book is located, but it does not match the family's ability to act in a way that is appropriate for the surrounding environment. Like the title, this book explains beauty in detail, and you can find small things in life, relationships, or the environment. I like this book very much and gave 5 stars out of 4 stars. Because I believe that the political and social end result of this book will provide a secret layer to the reader.

Arundhati Roy and Seamus Heaney's work "Arundhati Roy" is writing a provocative story about what was raised in India in a book titled "The Things of Little Things". Novels are divided into two different periods separated from one period to another by about 23 years. The main stories of Roy are Estha and Rahel, they are "twin of two eggs born by separate but simultaneously fertilized eggs" (Roy 4), but to their stories that can be seen There are also some stories to family and neighborhood ipe. .

In "the god of little things" Arundhati Roy creates a pure structure of childhood through adult needles crossing the border. Twin twin of curious and wide-angle twin who knew each other before the beginning of life was suppressed by trembling of a spider-like conspiracy that covered the sad heart. Roy depicts Eimenen as the deepest and darkest town in the universe, poverty is like a gun facing the reader's head. Amidst intolerable storms and simulated blizzards, the lives of poor families can not be diluted, can not change shape, are not abandoned by the dark and exciting Meenachal river epidemic. Roy's story power is so great that it can sometimes slip into her page and go through the old corridor of a historic house and directly enter the irreversible intertwined resident's soul.