"The Gleaners" is a work of a magical graffiti artist, Banksy. No one knows the real identity of this guy, and I do not think that he wants to know who he is. The actual title of the movie is "The Agency Workers", but since it is based on the millet picture of the 19th century, please refer to the original picture. Understanding the history and purpose of the artist, the original painting helps to understand the wit and meaning of the painting.
Mysterious Banksy has a personal history. He was born in Bristol, England in the mid 1970's. His work began appearing in the 1990s and became internationally recognized. Working all night, he creates beautiful works that are very different from graffiti that greetings in the morning, using templates. His work has witty political and social information. Banksy has some ideas, but it has not been confirmed. This information seems to be shared as a footnote to his art, making people think that finding his true identity is not as important as he will next appear. He gave the glow to the community around the world. He returned to his hometown in 2009 and revealed "agency workers" at his exhibition "Banksy v. Bristol".
This popular painting is the approval of controversial works of Jean-Francois Millet. Xiaomi represents the image of a picker working in a field in the mid-nineteenth century. Loggers are farmers permitted to pick up residues from the wheat field after the site owner's work is over. The remaining waste is between the poor and the hungry people. This picture was created just after the French Revolution and reveals the truth that poverty still exists and the danger of war does not reach its intent. Banks bring the current state of poverty entitled "institutional workers" expressing the plight of employees with minimum wages. Successfully, the artist removes one of the pickers and puts her out of the frame and smokes.
Banks criticized political and social problems around the world. He likes activists who like spirit and international supporters of art lovers. "Gleaners" are not the only famous works that attract attention to social and political dilemmas in Banksy, but all of these works gather our attention. Rising
October 2013 - Banksy drew the exact pattern of homeless people on our bathroom wallpaper and made him stand on the wall next to the toilet for a week. On that afternoon, Banxi wore a hat of the American flag and entered the toilet and cried, "I am sorry for the homeless gentleman, I will not meet over there." That person, and Banksy changed the subject by asking if I saw "a real firecracker last night". November 2013 - Banxey did a routine using one of his artworks. Every few days, he wore an obstetric dress and called directly to the local police station, stating that he was giving birth. When they arrived, he pulled the doll labeled "justice" from under the skirt and told the police he was "doing well without them". This situation is very fierce as 911 began to refuse the phone from home despite Banksy burning it by cooking cocaine at latex Nixon mask near the end of the month.
July 2013 - I visited Banksy's house and soon fell in love with the scene of life. My space is a beautiful room in a luxurious two-bedroom craftsman's house, only $ 500 a month. Even when Banksy was wearing a suit and a red horn for a lease contract, I caught the opportunity. He laughed with malice during the incident and all the pages were written as "Lou C. Ferr", but for $ 500 a month I was ready to put him on fire. August 2013 - When the toilet stopped moving, I called the plumber. In less than a minute, he dropped 20 tampons. And each of them was classified as "childhood obesity" and "drug war". Further examination revealed that the word "sociable" was written on the lid of Charlie's toilet. The plumber gave me a printed invoice at a $ 50 "bank fee" and said, "Let's meet again next month."