Regarding the personal history of the author shot in New Delhi in 1984, Mrs. Indira Gandhi was shot. The author lives in a part of New Delhi called the defensive colony taught at the University of Delhi. Mrs Gandhi was shot several miles away almost the same morning on October 31st, and went to the university by bus. The news was spreading when he arrived on campus. That word was that she was assassinated by two Sikhs' bodyguards in retaliation to Amritsar Golden Temple. And it sent an army to attack the Sikhs earlier that year. After his class, the author left college with his friend Harisen living in Safdarjang Enclave. Monsters on the street are looking for Sikhs. A woman on the bus to seek to bash and hide behind the body; a group of thugs surrounded the bus and the passengers said the seek was not there. Mobs burn up the Sikhs' projects and houses and continue living. Hindus and Muslims who protect Sikhs are also victims of violence. Mr. Bawa and his wife, Harisen 's neighbors are Sikh. The author and Hari went to Bawas' s house and urged them to come. As mobs entered their streets, Bawas crossed the fence. Their Hindu chef stayed behind to protect the house. Both houses survived. The next morning, the authors gathered at the gathering of relief agencies, where they organized protests against violence. The author recalls the sentence of V. S. Naipaul on whether to participate in the protest. Formed Nagarik Ekta Manch or Citizen Solidarity Front. At the forefront, a booklet titled "Who is a guilty person?" Was also created. Bosnian writer Dzevad Karahasan is between the modern literary aesthetics and indifference to the contemporary world's violence in an article titled "Literature and War" (published in "Sarajevo, Exodus City last year"). We formed a wonderful connection. After violence, the author wrote a novel "Shadow Line". The author will explain the difficulty of his writing on that day.
In his article "The Ghost of Lady Gandhi" (New Yorker, July 1995), Amitaf Gosh introduced the reader to Bosnian writer Dževad Karahasan and his "extraordinary article on literature and war" (published in Sarajevo) To do. "From City Exodus") This creates an amazing relationship between contemporary literary aesthetics and indifference of violence in the contemporary world "Ghosh continues to quote Karahasan: Ghosh eventually ended up with his own long Destroyed by the publication of his paper in 1995 which quotes silence lost, this is a description of the public's reaction to the terrible massacres of the Sikh community in New Delhi in 1984 - the body of her Sikhs Because the guard assassinated Indian Prime Minister Gandhi it will get revenge. According to Kalhassan, Gauche explains this silence and explained that it is an artistic decision that "the decision to treat everything as an aesthetic phenomenon is to completely avoid good and true problems."
In another older article, "Ghost of Lady Gandhi", Ghosh himself became part of action. Gosch, which explains the influence of Indiana Gandhi assassination by the Hindu mob and subsequent Sikh killings, wrote that the role in securing the safety of the Sikhs is incredibly too late. They may be the target of the wrath of the mob. However, despite the drama of this sentence, the core of this article is a massacre of small resistance by ordinary citizens.
A representative of collective violence in an article recently published in The Ghosts of Gandhi in 1995. So he first wrote about his riot after the assassination of Indira Gandhi in 1984. He quoted articles and war articles from the Bossanian writer Dzevad Karahasan, where Karahasan established a relationship between modernity. Literary aesthetics and indifference of violence in the modern world - (Ghosh 2002, 60). In Karahassan's opinion, the decision "to think of everything as an aesthetic phenomenon - to avoid perfectly good and true problems" is an artistic decision. This decision begins in the art world and continues to be a feature of the modern world - (Karahan in Ghosh 2002, 60)