The Ghost’s Appeal: Man’s Interest in the Superficial in Toulouse-Lautrec’s At the Moulin-Rouge

Attraction of ghost: Henry de Toulouse of Moulin Rouge Human interest on the surface of Toulouse Rotrek of Moulin Rouge's famous Moulin Rouge Please create works to deal with male versus female superficial performance. The dark scenes depicted in the paintings include ten people scattered around the restaurant. In the center, two women and three men sit casually in the table, but in the background two men and one woman are drawn looking in the mirror, the second woman (foreground) is drawn I will observe the situation.

Toulouse-Lautrec has enlarged the part of the Moulin Rouge "Non Even" and reflects it. Toulouse-Lautrec, including himself in the picture, a short guy across the floor crossed the floor, but it was not easily recognizable due to his size. This work makes me feel Toulouse-Lautrec is somewhat sad. Please put yourself in a picture related to the mysterious and late-night atmosphere, showing the emotions about his personal relationship, nightlife, and his physical features. He likes to get into the usual excitement, but he is not satisfied with his life.

Henri Toulouse Lautrec's "Moulin Rouge" introduces Paris' unique and elegant nightlife. The paintings were done with canvas oil paintings and were created at the end of the Impressionist era. However, Toulouse-Lautrec did not use dramatic color as the early Impressionist painting. Usually there is no flower, sun, landscape related to this time. Instead, he painted a scene of a smoky nightclub at first glance. At first glance, red - haired women 's eyes were directed to a central table, men' s clothes darkened in color, and the background green and brown were less detailed. Her head leaned back and looked tired of the night's entertainment. She is sitting with the other four. It is difficult to tell whether this group is happy or serious, because the facial expressions are different. The viewpoint of the audience is like standing on the balcony watching the room, which gives the depth of painting.