The Fugue from Bach's Prelude and Fugue in B Minor

Bach's prelude and minor fuga are the works of Bach's later years. Bach completed this work during his tenure at Thomas Church in Leipzig, Germany. Overall this work is a good example of Bach's mature prose which appeared in Weimar era after him. Fugue is very different from prelude. The overture material is not featured in Fuga language. The theme is only two lengths; the simple theme is self-boring. But Bach converted these two metrics to 88 points fuga.

Bach wrote two books for Prelude and Fugues, and wrote a total of 48 books. Each book contains a prelude and fugue for each key. There are 48 preludes and fugues somewhere in the whole range of music. The first book was completed in 1722 when Bach lived in Kotten and the second book was gathered in Leipzig between 1742 and 1744. But Bach rarely dates his work, so he can not know the date. The purpose and purpose of "48 degrees" can be summarized in several sentences: not only prove "equal temperament" but also very desirable, and various works deserving practice and learning in Bach To provide to students.

It is widely believed that Bach's "good Clavier" is based on JCF. Fisher's Ariadne Musical, a set of 20 short preludes and fugues, a color key sequence starting from C-B. Overture is always dancing, usually related to the movement of the voice in front of the fugue. Bach began writing "Well Tempered clavier book one", who served as the director of chamber music in the Cothen era. It was completed in 1722. The second book was written during his time in Leipzig. Bach has a lot of influence when writing his will

This article is excerpted from J.S Book 2. Bach's 48 preludes and fugues (also known as a trained keyboarder). The overture can take almost any form, the only condition is that it should be the same key as sacred and form an appropriate preparation for the listener's ears and heart tracking. That is logical development and prediction. There is no XII in F minor overture. A small piece of small key is usually not as bright as the main key, it gets a bit darker. This prelude is neither dark nor irritated, but somewhat reflexive. Not only did the audience receive a 4-minute happy song, but they were forgotten (as some classics I heard) at the moment of the recording, it is made to think further.