The Fourth Movement of Mahler Symphony 1

Mahler's 4th movement Symphony 1 outlines the format of the 4th movement and comments on Mahler's handling of traditional and novel instruments. The fourth movement and the last movement of the symphony seems to be the first movement of the form. Traditionally followed form is a form of sonata accompanied by exhibition, development and reproduction, but, of course, the new material is fewer than the first movement, and it is a combination of materials that I heard more. The fourth movement of Mahler's first symphony began with the introduction of 55 bar which is part of the fair.

The music chosen for the experiment is Mahler's first symphony, the fourth movement, Tubula Rasa 1 of Alba Part, the fourth movement of the 9th symphony of Dvorak, the 3rd string quartet No. 3, and Arnold Schonberg's movement It contained 2. Sugar Plum Fairy's dance and finals come from Swan Lake (Tchaikovsky), Beethoven's Moonlight Sonata, Franz Liszt's "Dance Horror" scene.

Early piano quartet, early chorus Das Klagende Lied, and the original tone version of the first movement of the second symphony, Totenfeier, consists of two types: symphony and song. In addition to the finished nine symphonies, his main work is Lieder eines fahrenden Gesellen (usually called "song of hiker", literally "song of traveler") and Kindertoten lieder (usually called "traveler's song" )is. "Child's death song") '), and Das Lied von der Erde's symphony and song loop synthesis (' The Song of the Earth ')

Apart from his youth, few people survived, but Mahler was created only by songs and symphony media. Donald Mitchell wrote that this interaction is the background of all Mahler music. The first connection between songs and symphonies took place in the first symphony of the Lieder eines ornate Gesellen and the cycle of the song. Early evidence of this cross-fertilization was important, but his 2, 3, 4 symphonies were written during the Wunderhorn stage of Mahler's extension, and the song and symphony types were always mixed It was. The theme of Wonderhorn song Das himmlische Leben ("Paradise Life"), founded in 1892, has become an important element of the 3 rd Symphony Orchestra completed in 1896; the song itself is the end of the fourth (1900) Is the core of my work