The Fear of Losing Identity in Manto’s Toba Tek Singh

Since the beginning and development of humans, humans have recognized the value of identity and individuality. In the most historical warfare, the fear of pursuing identity and loss of identity is the most important factor. Every war, invasion, slavery is the result of a human wish to build their own advantage and to inform more people of his name. In order to realize this desire, human beings are expected to migrate to various foreign countries, migration, immigration, even even invasion, if the cause of the riot is increased, and countries with religious and cultural diversity like India are more It became easy to cause problems.

It is time to open another page of cloak. The story of a person broken by the fear of division will be repeated. Director Toba Tek Singh of film Ketan Mehta based on Saadat Hasan Manto's work on men who were influenced by the events and pain of 1947 will exhibit at the Lonavla International Film Festival (LIFFI) in 2016. In September 2016 and September 5, 45 movies were held at Triose Plaza. In the hall, UnIndian starring Brett Lee and Toba Tek Singh of Pankaj Kapoor will be screened. Other movies screened at the festival included Marathi's "Highway Ek Selfie Aarpar", a film by Assam filmmaker Partha Borgohain "1962: My Country of Country" in Cannes, Vivek Agnihotri " Traffic congestion Buddha ", Anant Mahadevan's" Roughbook ", and Ketan Mehta's" Rang Rasiya "

As a master of short stories, the Urdu author Saadat Hasan Manto is highly respected for his excellent depth, irony and irony. As the author of about 250 short stories, radio theatrical plays, essays, memories, and novels, Manto is widely appreciated in his violence, prejudice, prejudice, analysis of the relationship between rationality and irrationality. Manto's work, like the famous short story Toba Tek Singh, combining realism and surrealism with satire, is an aesthetic masterpiece that continues to gain insight about the essence of loss, violence and destruction of people.