The Fantastical Elements of Leroux's The Phantom of the Opera

Fantasy Elements Opera Phantom of Leroux in the ghost of the opera of Gaston Leroux, the charming literary work is the best. Originally published in 1911, French writers are one of the most famous novels in French history. This story was created in the drama and musical produced by Andrew Lloyd Webber and reached millions of people. But this transition from fiction to dramatic performance led to excluding most stories from production. Overall, this novel shows many wonderful elements.

The origin of the Phantom of the Opera comes from Le Roux's true curiosity about ghosts. In the preface, he tells the reader about the phantom and his research to prove the truth of the ghost. His findings tied the body of the opera to Persian ghosts themselves. The prologue of his novel is the allegation held by Lewu before his death in 1927. In Paris in the 1880's, the Opera was thought to be plagued by a phantom of the opera, or simply called the Opera. The stage called Joseph Buquet was hanged and there was no rope above the neck. In the magnificent performance of two retired opera houses in the opera house, a young Swedish soprano, Kristin Dear, not well known, was asked to be in the opera 's main soprano, Carlotta. She is singing and singing but she is sick and her performance has been amazingly successful

Regarding the river above, if you are familiar with Paul Leroux 's novel "Phantom of the Opera", you are interested in knowing that the river beneath the Garnier palace is a hidden place of "ghosts" There may be. In the novel. It was said that Le Rou was impressed by the beauty of the opera, and he asked for permission to enter the building by himself. In 1896, the counterweight of the chandelier fell off the ceiling and killed the audience. It became a catalyst to write his famous novel, along with understanding and love of Le Lou 's architecture.

In 1984, Lloyd Webber contacted Cameron · McIntosh of Cats and song and dance co-producer and released a new musical. His goal is a romantic piece of work, suggesting Gaston Rurou's book, the Phantom of the Opera, as its foundation. They screened Lon Chaney in 1925 and Claude Rains in 1943, but they did not see any effective way to achieve a leap from the movies to the stage. Later in New York, Lloyd Weber found an out-of-print copy of the original of Le Roy's novel. And it provided the necessary inspiration to develop the musical: "I was writing something else, the reason why I hung up is that I write an important romantic story It was because he was trying to do this since I started my career.