The artist Pieter Bruegel's "The Fall of Icarus" depicts the change from the Middle Ages to the Renaissance. The meaning means "reproduction", so you can find it with the word Renaissance. More importantly, the regeneration that occurred during that era was the regeneration of those who remembered the classical past to gain inspiration for art. Farmers, not the most excellent artists do this as a different person in their daily lives. Brügel provides a prospect for his work, and the new exploration era of Ikaros shows hints of human possibilities in stark contrast to the explanation of the limits of Ikaros humanity. Transformation - the central universe
This picture is a canvas scenery of the sunset set in the horizon of the sea. The attention to humanism at this time clearly represents the existence of farmers, shepherds and fishermen who routinely work. Please use a bright color. This is different from the dark color which is emphasized in the dark age or the Middle Ages. A shadow appears on the ground next to the farmer, indicating that more and more artistic methods are starting to be used. In general, Brügel uses 2D and 3D techniques to demonstrate his attempt to reveal information about changes in life and thought throughout his work.
Interestingly, Bruegel contradicts Ikaros in Greek mythology with the concept of exploration in everyday life. Icarus tried to despise human abilities, because this story makes him reveal his ability to transcend himself and put him into a deep green ocean. Depiction
The effect is for the audience. This may be in line with the European exploration and the desire to expand the country's military strength. During this period violence spread and people felt depressed about human death. In general, it is related to human ambition and ability and human limitations.
Dickens, A. G. era of humanitarian and religious reform. New Jersey, Eaglewood Cliffs: Pentice-Hall, Inc., 1972
Johnson, Geraldine A. Renaissance Art, a very brief introduction. New York: Oxford University Press, 2005
Shiraev, Eric B., and Vladislav M. Zubok. International Relations New York: Oxford University Press, 2014
The fall of Icarus by W. H. Oden 's Musee des Beaux Arts and Pieter Bruegel' s W. H. Oden and Peter Bruegel is an ordinary observer. In Bruegel's work "The Fall of Icarus" he was able to see the tragedy of the death of Ikaros and was able to concentrate on the simple scenes surrounding this event. Oden's poet "Museum" has the same nature: it has chosen to reveal the essence of tragedy and to overturn the fact that life will continue to occur even in the event of a disaster. - Newman is aware of the mechanical (practical) and philosophical content, the establishment of "well-understood intelligence of all matters", the development of traits, the bringing of change, continuing, the free knowledge or expansion As a training or stimulation. lifetime. (1.6.126-134, 2.1.50-52) Free knowledge is important. It brings respect and balance to various fields and helps to pursue specific themes.
"The landscape of the fallen Ikaros" is a poem by William Carlos Williams of the 20th century American poet, traditionally responding to the collapse of the landscape and Icarus thanks to Peter Bruegel. Williams first published that poem as part of Hudson's commentary sequence in 1960 and then used that sequence as the basis for his last book, Bruegel's picture published in 1962 and other verses It was. As the title suggests, this poem touches the story of the death of Icaros, the son of Daedalus from Crete in Iraq's Greek tragedy, he and his father are trapped in exile, they wear a wax And feathers made with feathers. Icarus disregards his father's wish and did not get too close to the sun, melting like that and drowning a feathery death in the sea. This theme - and Bruegel paintings - were also handled by other modernist poet W. H. Auden of "Muséedes Beaux Arts".