The Face Behind the Truth in Cinema

His movie "People with Movie Cameras" (1929) predicted several important concepts of live movies and filmmakers. The goal of Vertov is to reveal the truth by observing and recording everyday life. This shows that Dziga Vertov, Cinema Verré, and Direct Cinema share a common goal. Another similarity is that, like Direct Cinema and Cinema Verré experts, Vertov is against the use of actors. One of the reasons Cinema Verré and Direct Cinema misunderstand that they are wrong with each other is that they are objectively reveal objectives of the truth as both movements are influenced by the fantastic methods and techniques of Vertov and Flaherty That is to say.

In the American movies of the 1990s, the audience was very delusive. Society faces a civil (public) crisis (Szyszka 2007 :) as the state of information and "determination of truth" surfaced when "truth" is needed. Normally, a sustainable attention is drawn on how social order (social) after post-modern, post industrialization, post-Marxism, Post Cold War is formed, how "reality" and "reality" are established and given authority . The psychological (psychological) focus (mainly New Black) of contemporary American cinema in the 1990s centers on uncertainty about postmodern panic (fear) and "truth" and reality. The Internet (which was released in the 1990s) not only brought more and more information but also makes it more difficult to know what society trusts and what to trust.

Reading all these, the movie is like a financial trap that functions behind hidden walls and corporate risk aversion. The sinkhole is suitable only for the millionaire idiot or studio bookkeeper. However, this is a type of stereotype. The boring reality is that Hollywood once again became a wonderful and wonderful victim of itself. That celebrity 's machine eats porn. Looking at the underlying data, as Slated's just-completed analysis team did, there are quite a lot of profitable businesses, but much of these misunderstandings are continuation of the movie itself. . Let's see the biggest myth

When the full moon is about to come, the sun shines behind us, just like a cinema projector illuminates the screen. The entire hemisphere facing the earth is exposed to the sun at a steep angle - like the summer noon sun on the earth. Therefore, the full moon has no shadow. Also, all the differences in brightness are attributed to the reflectivity or albedo of various types of rocks on the moon.