The Evolution of Photography

When walking, one person will take a beautiful view of the surroundings. On this special day, the sun is shining and the sky is perfect blue. A white cloud will fill the sky and slow down at your own pace. The wind is calm and calm, the trees are proud and tall. There is no moisture in the air. When a man entered the road, they saw a deer and her two deer. This moment is absolutely beautiful. Such a moment will only happen for a long time, let us think that we want to stay at a certain moment forever.

Progress is quite long. Through such a short discussion it may seem like even deceiving this leaping shine in photography. As a matter of fact, developing color photography involves moving the media from the laboratory's high-tech environment to a photographer. This paper suggests interpretation of color through multiple pyramidal cells on the back of the eye. Maxwell claims that the different areas of each cell are sensitive to the red, blue, and green spectra, and it is the combination of these colors that determines the interpretation of surrounding colors. This idea, called "three color processing" or "RGB", is the foundation of almost any color photography method we have today.

In the first part of this series I wrote a constantly changing field of photography through the development of digital photography and digital platforms. In this article we will synonymize the evolution of the photograph with the chemical state of the substance and how the developmental development represents the past, the present, and the future. This series aims to explain and understand the new developments of photography companies. By doing so, I hope the reader has a more complete understanding of the creative and technical development of imaging.

While many photographers were still talking about the transition of photos from analog to digital and both positive and negative, the world of photography technology barely noticed their protests and ongoing research and development. As a result, we discovered ourselves today - in fact, we stayed for a while - in the era of computing pictures. In 2014, the World Press Photo Foundation - Witness Publisher - asked for research on "Image Integrity" to evaluate worldwide contemporary industry standards. The purpose of this report is to create some understanding of the ethics of digital images, especially the problems of post-production work caused by gathering photographic industry attention to the reliability of news and documentary images. Almost four years later, things have changed, understanding the change is what I want and needs to be settled here.