The Epic of Atraḥasis

The epic of Atraḥasis is the most comprehensive explanation of the mass flood of Mesopotamia. Atraḥasis is the role of Noah. It was written in the 17th century BC

There are several editions in this sentence. Ammi-saduqa (1647 - 1626 BC), two written by Assyrian scribes (Assyrian dialect, Babylonian dialect), and the third of the three slabs reigned by King Babylon. Parts are referenced in Gilgamesš's Epic Tablet XI; other impacts are made by the Babylonian history of Berossus (cited). These texts can be used to rebuild the missing part of Atracias epic, and the overall structure can of course be found in the Bible.

Condition after Creation: Low level gods must start working hard to complain

Even if he is a rebel, gods are very hungry as farmers can not decide to forgive atrassia with a sacrifice.

[The population has increased, their noise disturbs the gods, and they decided to destroy mankind. However, Enki gave a dream to Atrahasis. When text is restored, Enki is still talking. ]

[Blank. No farmers were left and the sacrifice ceased, so the gods realized that they were hungry. When they discovered that Atrathasis survived, they developed a plan to ensure that the noise is kept within limits: they invented childbirth, infant death and single.

Sundiata Keita or Sundiata's Epic (aka Sundiata Epic or Sunjata Epic) / sʊndʒɑːtə / is a marinqu epic, a story of Sundiata Keita, the founder of Sundiata Keita (died in 1255). . Epic is an example of the tradition of words dating back to the 13th century and is explained by the strange poet and the generation of Jerry. There is no single or formal version. At the beginning of the 20th century, a collection of epic related materials of the Sultan of France, in particular the French elite school ÉcoleWilliamPonty, was published in 1960 by Djibril Tamsir Niane in a standard "modern" version published in French translation in the form of "fiction" It brought the story of today called. Year (English translation 1965)

A written summary of the epic existed in Arabic before 1890. In the 1890's, the epic version was gathered by French officials and published in French and German in 1898. A West African who was educated in the West began to make a literary version of the story. In the 1930s especially the French elite school École William Ponty, the play was based on the story of 1937. This period represents the first interaction between verbal tradition and literacy and modernity, as well as the transformation experienced in the story. Background of the speech in 1937 ... eventually reached the epic form. And it was the most numerous in the 1940s and 1950s before Niane (1960) 's first "fictitious" process. It affects. The first progressive transcription of the epic was made in 1967

The former Hispanic Philippine literature is actually an epic that has been handed down from generation to generation through oral tradition. But wealthy families, especially Mindanao families, can save copies of these epics as family heirlooms. One of them is Maranaos' epic, Darangen. The Philippine post colonial literature shows some features. The first part covers the form and image provided by the literary era characterized by new language experiments, especially the English and American literature. Literary work began with the interpretation of Philippine experience, as the "sad child" (1921) written by Zoilo Galang (the first Philippine novel in English) shows. Early English sentences underscored modestly the melodrama, unreal language, and the local color.