The Editing of Hemingway's The Garden of Eden

The dead master of Eden of Hemingway, the manuscript of 1,500 pages, and the trial of editing that failed three times so far. This equation will scare most editors. At first, Tom Jencks was also afraid. Jencks initially refused when he was asked by the owner of Scribner Press to modify the Hemingway's 1,500 page manuscript. He told the company, "I can not see the story of Hemingway any more" (http://narrativemagazine.org/html/eden.htm). For Jencks, "Hemingway 's publication seems not as interesting as publishing a new writer, which I did to Scribner" (http://narrativemagazine.org/html/eden.htm).

However, based on the revelation in the Garden of Eden, many of the gender and gender codes of Hemingway still have problems for several reasons. First, some critics tried "Eden" as misidentification and use of homophobia for many reasons of the Hemingway - whether printed or his public place -. Whether Hemingway personally tests his sexual identity can not be an excuse for homosexuality and women's public treatment of women. Hemingway still has places in American classics, but using such arguments to rebuild his position is unreasonable and condemned.

Finally, the latest criticism of Hemingway is still to observe the authors and his writings almost at the micro level. Since the publication of the Garden of Eden, most Hemingway scholarships have regarded this novel as a reliable answer to every question about Hemingway 's gender coding. Therefore, most of the readings about Hemingway's novels are evolving around the authors' personal circumstances and his fierce relationships with various women in life, especially his mother Grace Hemingway. This kind of assessment is usually very simplified, and we incorporate these analyzes into several Edipus complexes. Often these important methods assume that family influences hide the impact of social and / or cultural determinants. This is equally important in the formation of individual identity.

On the way to St. Augustine, Florida in the summer of 1986, I was fascinated by an article about Ernest Hemingway's posthumous novel "The Garden of Eden". When I became crazy about fantasies, a drone with a single engine aircraft skipped me south to the sky with lots of noise. As I felt about the legacy of Hemingway, I felt almost like the life of the reporter. The reporter said the Americans are always obsessed with Hemingway as he portrays life.