Most images are impressive, but what I like is as follows. 1) Biwa Picture: Its name comes from Arabic "ud", and its unique shape forms the core of Arabic music life to date. "Al'ud" means "wooden", its name is to distinguish between instruments of "ud" and "gourd" or parchment sound board. Since most of the Arab music festival in Dubai, I have played instruments, so I like the music played by Lute.
Kuglong is a double monk of Magpet and President of Roxas and in Kula Bangkok it is called faglong. Dragonflies shaped like crocodiles and boats are called West Bukit Donon Manobo, Kudrun (small biwa), and Binyan (Agricultural Manobo) of Agusannon Manobo. It is usually done in agriculture, wedding ceremonies or wedding ceremonies. Cast performers often sing, dance, play biwa. In Magpet, kuglong is accompanied by songs such as "Iyanad so anak ko" (my baby), "Talukaw" (Thurs), "Nakad sandita" (women regret her fate). "Dakar Faglon" is a dragon dance at Eslole "(slow) and" Alimogkat "(goddess of the river) Dragon's dance, bamboo flute, length 22 cm, diameter 8 mm, Lantoy with four finger holes as solo Used
Pfeiffer, William R. "Music analysis of several ritual songs by Cotabato Manobo in central Mindanao, Philippines." 1965 Master of Arts in Hawaii University
In the Renaissance era, at the time of the Renaissance at that time, we had a high level of respect in the performance of every instrument. Biwa is often used to accompany sounds and other soft instruments and has its own solo. In paintings and works of the time at that time he was involved with Apollo, Angel, Orpheus, was often mentioned in a tragic climate and played an important role in comedy. Despite the wonderful report from the British cricket maker, the best is the German living in Italy. Renaissance music reflects the structure of light of an instrument. The only disadvantage of the hustle and bustle of the Renaissance was that they became very simple and complained that many people are adjusting the most time rather than actually playing instruments.
For Queen Elizabeth in the UK, this duo works hardly. These were two constraints of Thomas Robinson toy and two biwa of Doran arranged my home for Willoughby (even two players in one Biwa)! More importantly, through the recording of Julian Bream Consort, we can see the pure joy of the ensemble of the 16th century. Thomas Morley's first rhythm course (1599/1611) was chosen for various composers who wrote wonderful music for "broken" accompaniment. flute